Review: Sally Rooney’s Intermezzo
Written by Nina Follows Black and white and Yves Klein Blue, you’ve probably seen it all over Instagram. From among carefully curated...
Spinning Tales: A Digital Thread through Aziza Kadyri's AI Textiles
By Madeline Davies Cover image: Detail from Aziza Kadyri, The Drought , 2024, View of artwork in situ, Pushkin House, image taken by...
Samsara : Love, Lust and Liberation
Written by Mona Hui ‘Perhaps when we do [meet again in Samsara], you will be able to tell me what is more important: Satisfying one...
Lygia Clark, the Brazilian Museum, and a Willing Hand: A Response to Lygia Clark: The I and the You at Whitechapel Gallery
Written by Maria Cicala Lygia Clark is a household name in modern Brazilian art. To most, the artist conjures up slightly dusty black and...
The Not So Lonely City
In the country I grew up in, mountains were just there. They were not something I sought out or felt nostalgic for; they were a constant
Conclave, the Film Festival, and the Netflix Ugly Filter
Conclave, though presented with such flair and esteem, looks like something made for streaming.
Navigating Copyright Amidst the Paradox of A.I. Authorship
By Nicola Dawson In recent years, Artificial Intelligence has become increasingly prevalent across all sectors and the popularity of...
Eyeball it.
By SOFIA GENCO-BILLINGTON The bartender leaves my drink on the bar for so long its melted when I get it. I thought the ice lolly thing...
Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...
Doctor Who? Design Genius
By Fran Osborne One of my earliest television memories — like many British children — is of a whirring blue box flashing erratically...