Colouring the Past: Homer, Soane & Klein
Yves Klein, Blue Venus works on display at Blenheim Palace, 2018 (Photo: Vogue) Colour is a concerningly abstract and amorphous concept...
Sticker Shtick
All of my visits to Tate Modern have been a hit or miss. There’s a very inorganic feel to it as an institution. Maybe it’s the multitude...
'Into the Mind of the Coloniser': In Conversation with Adelaide Damoah
On Thursday 28 March, British-Ghanaian artist Adelaide Damoah will present ‘Into the Mind of the Coloniser’, in the Virginia Woolf Room...
Sacking Sackler & May’s Civil War
BUMPER END-OF-TERM EDITION Illustration by Rhiannon Powell This week I begin with a story that has been bubbling away for some time now,...
Division, Derision, Diversions, & Delay
As promised, last week was a big one for Brexit. In my last column, I outlined what was planned, in this one I’ll recount what actually...
The Unifying Power of Jewellery
With the ongoing Brexit debate over whether to stay or leave - a metaphor for divorce reoccurring in newspaper headlines; the unifying...
Midnight in a Perfect World - DJ Shadow's 'Entroducing'
It’s midnight. I’m walking home, I see nothing but dark buildings and orange streetlights. Traffic goes by nearby, I can hear the wind in...
Courtauld Careers Alumni Networking Event
We are incredibly proud to announce that last Thursday’s Careers Networking Event was the most successful to date, with 46 careers...
Cosmically Curated: March Art 'Scopes
March always goes in like a lion, but this year particularly so with a Mercury retrograde near the beginning of the month. That means...
A Clear Path Through the Brexit Fog?
I’m sorry everyone, but this week it really is unavoidable, I’m going to have to mention the B-word. The fog of Brexit is obscuring all...