Fascism and the ‘Call to Order’
It seems we are on the inside, looking out, of a storm of change in politics currently. While change is almost always seen as an...
John Carpenter’s ‘They Live’: A Hard-Hitting Wake-Up Call
In ‘The Loop or the Vortex’, Kader Attia reminds us of a limitation Charles Darwin and Alfred Russel Wallace were confronted with as they...
‘Velvet Buzzsaw’: Artfully Dodge this Horror
I am usually the first to avoid horror films, but the trailer for Netflix’s Velvet Buzzsaw intrigued me. A horror film concerning the art...
Notre-Dame
News of the Notre-Dame fire has deeply shocked people worldwide. Amidst the various reasons for it holding a deep-seated significance for...
Cosmically Curated: April Art 'Scopes
No school, no problems? Maybe so. April is looking calm and revolving a little bit more around the inner self this go around. With the...
Notes on Camp: ‘Boom, Boom, Boom, Boom!!’
Picture the scene. You’re in your most splendid garb, nursing a double vodka orange between the murky hours of 12am and 4am in The Flying...
Longer and Longer: Another Extension for May
As MPs leave the Commons for their Easter break, I’m taking time out of mine to bring you my weekly report on the chaos that we call ‘the...
Modern Sapphics
The discoveries of new poems by Sappho in 2004 and 2014, particularly the near-completion of the Tithonus poem, excited both scholarly...
Christopher Marlowe’s ‘Edward II’ and Tom Stuart’s ‘After Edward’ at the Sam Wanamaker Playhouse, Th
Tom Stuart and Beru Tessema in ‘Edward II’ at the Sam Wanamaker Playhouse (Photo: Marc Brenner) I would not usually be compelled to write...
Vote, Vote, and Vote Again: Brexit Deadlock
The one time I take a week off from bringing you a window into the world of news and all hell breaks loose. Since I last wrote, March...