In Black and White: Race and Photography
‘We should be counted and certainly counted on to write our own history and validate our own existence’. - Zanele Muholi by Madeline...
Shantell Martin: NEW/NOW
by Madeline DeFilippis | 27 February 2021 The New Britain Museum of American Art in New Britain, Connecticut, seems like a strange place...
Alice: Curiouser and Curiouser
by Sarah MacKay | 23 November 2021 Exhibition shot of Alice: Curiouser and Curiouser © Victoria and Albert Museum, London A real-world...
Sarah Sze at Victoria Miro Gallery
by Rachel McHale | 27 October 2021 Known for challenging static sculpture and emphasising transformation, the contemporary artist Sarah...
Social Works II
by Sarah MacKay | 21 October 2021 Tyler Mitchell, Albany, Georgia, 2021, Archival pigment print Ⓒ Tyler Mitchell Currently on view at...
Blue Jeans & Brown Clay at Kate MacGarry
Artists and designers at the J B Blunk house, curated by Mariah Nielson by Sophie McAlpine | 5 May 2021 I do not come from art-loving...
No. 91/92: notes on a Parisian commute Review
by Rachel McHale | 19 May 2022 You’re on the bus, staring at your phone, again. Earphones in, scrolling through Instagram, choosing...
New Alte̲rs: Reworking Devotion
by Sarah Mackay | 2 May 2022 Content Warning: This article discusses racially motivated murder. The cover of TIME magazine's June 15,...
Hoarding or Protecting?: The Sensitivities of the Storeroom
by Yuna Kim | 25 January 2022 Mustachioed male (marble bust) focuses attention on nude female (life-size marble sculpture) in a storage...
Nostalgic Arcadia: Cottagecore and its Origins
by Madeline Defilippis | 14 September 2021 Image: @iridessence on Instagram After the last two years, it’s pretty clear why people need...