Mary Phan: Literary Segment 21-22
31 January 2022 Impact I only had two wisdom teeth, two vestigial bones taken root horizontally in my bottom jaw. I tried so hard to numb...
Finding Solace in Familiar Faces: Plastering the streets of London.
by Sara Quattrocchi Febles | 17 August 2021 With the monotonous life I followed for a big part of my last year at the Courtauld due to...
Noguchi
by Caroline Benedict | 10 November 2021 Noguchi exhibition, Barbican Art Gallery. The Noguchi exhibition unfolding at the Barbican Art...
Limbo by Maya Fletcher-Smith
Director Ben Sharrock has utilised the tragicomic genre to it’s best, most poignant effect. 08 August 2021 Still taken from Limbo,...
Madame d'Ora: Master of Her Art
by Lori Stranger | 29 November 2021 Dora Kallmus, better known as Madame d’Ora, was a prominent photographic portraitist in the 20th...
A Revolutionary Retrospective: Paula Rego
by Lori Stranger | 19 October 2021 The Tate Britain’s Paula Rego exhibition spans her 70-year career in a long overdue celebration of her...
Donatello: Sculpting the Renaissance
by Matthew Biedermann | 15 February 2023 Figure 1: Donatello, David (Florence: Opera del Duomo, c. 1409). Descending downward into the...
Star Power: Mediating individuality and collaboration in ‘Ariana Grande: Excuse Me, I Love You’
by Sara Blad | 4 January 2021 Photo: Kevin Mazur. Credit: Getty Images for Ariana Grande. How should one film a musical performance? Art...
Their Rembrandts: Notes on art, history, and appreciation driven by the heart.
by Sara Blad | 30 January 2021 Rembrandt’s Old Woman Reading in Drumlanrig Castle. Photo: Dogwoof. From the title of Oeke Hoogendijk’s...
Death Lies Beneath Discovery: A Review of The Dig (2021)
Directed by Simon Stone, Screenplay by Moira Buffini and based on the story by John Preston by Ashleigh Chow | 17 February 2021 It’s a...