In the Pink of Health - The Antiheroine in Contemporary Fiction
By Michelle Hui Unknown, Portrait of a Young Woman in White, 1798. National Gallery of Art. Photograph taken from...
The Aran Knit: A Humble Masterpiece
By Fran Osborne What comes to mind when you think of the place where art and fashion meet? The sartorial elegance of a diaphanous Dior...
The Human-Divine: Julene Robinson’s The Night Woman
By Maria Cicala Below the basement of the Barbican Center is a small black box theatre where art manifests magic.From the 19th to the...
Why I am a Tracey Emin apologist.
By Lucas Ind Look, I get it, she’s not to everyone’s taste. In fact, I remember when I first joined The Courtauld, I chose Tracey Emin’s...
Inside the Video, Into the Screen: Horror and the Internet Wormhole
By Eve Reid The nomenclature ‘video nasty,’ once reserved for violent and explicit films, struggles to find definition in the digital...
The Fitzroy Tavern; or, the Birth of a British Bohemia
By Benjamin Baker ‘Only beware of Fitzrovia … it is a dangerous place, you must be careful.’ ‘Fights with knives?’ ‘No, a worse danger....
Adolf Wölfli, William Blake and Folk Art: A Brief Meditation on Human Creativity.
By Carys Maloney Adolf Wölfli was an outsider artist—or folk artist—who inarguably suffered a childhood of significant hardship. As...
My First Experience of Volunteering at Somerset House and the Story of an Architectural Casualty
By Freddie Bond I had my first Courtauld volunteering shift last week. The wealth of images and information in the collections stored...
Marina Abramović - The Artist Does Not Need To Be Present
By Mathilda Drukier Marina Abramović, The Kitchen I: Levitation of Saint Theresa,I 2009. Video installation detail from Galleria Lia...
Risk Appetite .
by SOFIA GENCO-BILLINGTON OCT 17th, 2023 Bob Mazzer, Underground, 2014. It would not be farfetched to say that it is generally considered...