Gwen John: Art and Life in London and Paris Exhibition Review
Gwen John: Art and Life in London and Paris Exhibition Review In the same decade that Rodin produced The Thinker (1904) and Matisse The...
Patrick Keiller’s ‘London’ and Homosexual Reminiscings
By Eve Reid “For Londoners, London is obscured. It’s social life invisible, its government abolished […] there is nothing but a civic...
Returning and Remembering: A Review of Good Morning, Midnight
By Mariam Pari Edward Hopper, Automat, 1927. Oil on canvas, 71.4cm x91.4cm, Des Moines Art Center, Des Moines. Digital photograph...
Charting the Evolution of British Political Satire
By Millie Grainger Political satire, a time-honoured tradition of humour and critique, has been an indispensable force in British arts...
I Know Where I’m Going! A Powell and Pressburger Classic Returns to the BFI
By Minna Church “When Joan was only one year old, she already knew where she was going. Going right? Left? No, straight on. […] She’s 25...
From Da Vinci to the Dancefloor: Why are songwriters so fascinated by the Mona Lisa?
By Katie Gillespie Picture the Mona Lisa. Now picture her again, except the refined features of the Italian noblewoman, Lisa del...
Horoscope predictions—November 2023
By Alexis Nanavaty and ‘The Guides’ During the Renaissance, astrology was a course taken by many university-educated individuals, some of...