Written by Amos Jevons Figure 1: The Lonely Courtesan  In the grey pallor of February, when the damp winter air was just lifting, I felt...

Written by Emma Cormier Portrait of Rebecca Horn, image from  Sean Kelly Gallery. Rebecca Horn was a visual artist and director, who...

Neither an Ingenue, nor a Bombshell, or a (real) Blonde Musings on Bette Davis and her 1935 film ‘Dangerous’ Written by  Vuk Winrow Part...

Written by Avigayil Ashton   Many minds leave vivid, fantastical realms of imagination up to children. The strange, the peculiar and the...

Written by Julia Hargitai   This article comes to you in dark times. On Tuesday 18th March 2025, Hungarian Prime Minister Viktor Orbán...

Written by Andrew Dearman As I settled into a screening of Coming Out (East Germany, 1989), I immediately noticed that it resembled...

Written by Lorena Orlacchio   Henry Fuseli, The Nightmare , 1781. Oil on Canvas, 101.7 × 127.1 × 2.1 cm. Detroit Institute of Arts,...

Written by Cressie Edmondson In 1970, following the wave of feminist activity, an increase in recognition of the women’s liberation...

Written by Amos Jevons The Sisters Wearing Dramatically Opposing Gowns In the months leading up to Christmas, I had two...

The first time I came across Helene Schjerfbeck was in Ateneum, the Finnish National Gallery located in Helsinki. A poster of her most famou