Notes on Camp: ‘Boom, Boom, Boom, Boom!!’
Picture the scene. You’re in your most splendid garb, nursing a double vodka orange between the murky hours of 12am and 4am in The Flying...
Christopher Marlowe’s ‘Edward II’ and Tom Stuart’s ‘After Edward’ at the Sam Wanamaker Playhouse, Th
Tom Stuart and Beru Tessema in ‘Edward II’ at the Sam Wanamaker Playhouse (Photo: Marc Brenner) I would not usually be compelled to write...
The Boss: Non-Conformity Through the Eyes of Eileen Gray
Non-Conformist, Eileen Gray, 1926 (Image: eileengray.co.uk) One of my least favourite questions, right after “what are your plans after...
'Into the Mind of the Coloniser': In Conversation with Adelaide Damoah
On Thursday 28 March, British-Ghanaian artist Adelaide Damoah will present ‘Into the Mind of the Coloniser’, in the Virginia Woolf Room...
Opportunity is Dead: A Galaxy of Misery
Sad news this week (although it’s seldom but sad), as NASA has officially given up hope on their Martian robotic rover Opportunity. The...
Kitsch Cupid: Rococo and Romance
There are numerous historical sources attached to St Valentine — the Catholic. Church recognizes at least three different saints named...
The Favourite: Duck Racing, Voguing and Sapphism in the Court of Queen Anne.
It’s a Tuesday night at a cinema in Peckham, we’re sat in Screen 4. The atmosphere feels giddy with anticipation for what we’re about to...
The Importance of Ambitious Political Rhetoric: The West Wing, Season One - A Review
It is not often one is able to decipher why we are drawn to the things we are, but in cases like this, it is less important to consider...