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Is humanity innately good or evil? Revisiting The Ballad of Songbirds and Snakes
Written by Avigayil Ashton Suzanne Collins, The Ballad of Songbirds and Snakes, 2020 Is humanity, at its core, good or evil? Once...
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Letizia Battaglia: Life, Love and Death in Sicily – a review
Written by Julia Hargitai The currently ongoing exhibition at The Photographer’s Gallery explores the career of Letizia Battaglia...
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Elias Canetti, The Tongue Set Free: Remembrance of a European Childhood
Written by Nina Follows An alluringly titled, forty-year-old volume lent to me by a charming stranger at a party, I found myself rather...
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Review: Sally Rooney’s Intermezzo
Written by Nina Follows Black and white and Yves Klein Blue, you’ve probably seen it all over Instagram. From among carefully curated...
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Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...
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Sargent and Fashion: Trend Alert!
By Mathilda Drukier Sargent and Fashion: Trend Alert! The much-awaited exhibition Sargent and Fashion has finally made its way to the...
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Entangled Pasts, 1768–Now: BAME Figures in Art Have Always Been Here and Are Not Going Anywhere.
By Mathilda Drukier On display at the Royal Academy of Art until the 28th of April 2024, Entangled Pasts, 1768–Now looks at Britain’s...
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Discover Liotard and the Lavergne Family Breakfast
By Yoyo Hou This exhibition ‘Discover Liotard and the Lavergne Family Breakfast’ spotlights ‘the most lavish game of...
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Collecting Beautiful Moments: A Reflection of The Small Pleasures of Life by Philippe Delerm
By Mariam Pari Vanessa Bell, A Conversation, 1913-1916. Oil on canvas, 86.6 x 81cm, The Courtauld Gallery. Digital photograph accessed...
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Poor Things and the Monstrosity of Womanhood
By Eve Reid Poor Things (2023) sets out on an ambitious cinematic expedition, attempting to unfurl a fantastical narrative around...