Review: Sally Rooney’s Intermezzo
Written by Nina Follows Black and white and Yves Klein Blue, you’ve probably seen it all over Instagram. From among carefully curated...
Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...
Sargent and Fashion: Trend Alert!
By Mathilda Drukier Sargent and Fashion: Trend Alert! The much-awaited exhibition Sargent and Fashion has finally made its way to the...
Entangled Pasts, 1768–Now: BAME Figures in Art Have Always Been Here and Are Not Going Anywhere.
By Mathilda Drukier On display at the Royal Academy of Art until the 28th of April 2024, Entangled Pasts, 1768–Now looks at Britain’s...
Discover Liotard and the Lavergne Family Breakfast
By Yoyo Hou This exhibition ‘Discover Liotard and the Lavergne Family Breakfast’ spotlights ‘the most lavish game of...
Collecting Beautiful Moments: A Reflection of The Small Pleasures of Life by Philippe Delerm
By Mariam Pari Vanessa Bell, A Conversation, 1913-1916. Oil on canvas, 86.6 x 81cm, The Courtauld Gallery. Digital photograph accessed...
Poor Things and the Monstrosity of Womanhood
By Eve Reid Poor Things (2023) sets out on an ambitious cinematic expedition, attempting to unfurl a fantastical narrative around...
Returning and Remembering: A Review of Good Morning, Midnight
By Mariam Pari Edward Hopper, Automat, 1927. Oil on canvas, 71.4cm x91.4cm, Des Moines Art Center, Des Moines. Digital photograph...
A Review of A Portrait of a Lady on Fire
Céline Sciamma’s eighteenth century tale of burning desire seeks to re-centre the female gaze and turn the artist/muse dynamic on its...
Steve McQueen at Tate Modern: Marrying film and the sensory real
'The fact of the matter is I’m interested in the truth’ An easy way for the hours to slip away during lockdown is with our screens....