The Substance Review – A true treat for horror fans, but a questionable execution of its aim
Written by Julia Hargitai Demi Moore shines in Coralie Fargeat's new gory satire as a Hollywood actress whose professional career is...
Revisiting Notting Hill
Written by Amy Lee A rotating cast of old friends have stayed at my place during their travels in London ever since I first came...
Samsara : Love, Lust and Liberation
Written by Mona Hui ‘Perhaps when we do [meet again in Samsara], you will be able to tell me what is more important: Satisfying one...
Conclave, the Film Festival, and the Netflix Ugly Filter
Conclave, though presented with such flair and esteem, looks like something made for streaming.
A Bump in the Night, A Creak on the Stairs: Meditations on the Haunted House Trope
By Eve Reid The phenomenon of hauntings in domestic settings carries a complex and profound historical significance that resonates...
The Abyss of Revelation: Jordan Peele’s Vision of the End of the World
By Eve Reid Immediately after the tribulation of those days the sun will be darkened, and the moon will not give its light, and the stars...
Palissy and the Pre-Raphaelites: the classical artists that leave their mark on Emerald Fennell’s Saltburn
By Katie Gillespie Warning: Spoilers ahead! Love it or hate it, Emerald Fennell’s Saltburn (2023) has been the topic on everyone’s lips...
Poor Things and the Monstrosity of Womanhood
By Eve Reid Poor Things (2023) sets out on an ambitious cinematic expedition, attempting to unfurl a fantastical narrative around...