
Voices of Transition: Contemporary Art from Myanmar
Htein Lin with a plaster cast of a forearm from ‘Show of Hands’ (2013-ongoing) As both the first Papal visit to Myanmar and the debut...

Theatrum Mundi: Colonial Farce and the Task of Indigenization in Niles Atallah’s Rey
Rey Dir. Niles Atallah (Chile/France/Holland/Germany/Qatar, 2017) The indigenous peoples of what we have come to call Latin America...

HOMMO
‘Every relationship needs a man’ is a belief prevalent in our society from its very beginning. But if we try and actually follow this...


Dispossession: The Great Social Housing Swindle (2017)
‘Elephant Park’, 2017 formerly the Heygate Estate. Photograph by Matt Page. Since its inception in the early twentieth century, the...

Tove Jansson (1914-2001)
Illustration by Lucy Key-Stratton In the 72 years of their existence, the names Moomintroll, Snorkmaiden and Snufkin have come to...

Light / Dark
Annely Juda Fine Art: 8 November - 14 December 2017 Annely Juda Fine Art presents a group show exploring a fundamental principle of art...

Lisson Gallery: Everything at Once
Last year, Store X (180 the Strand) was taken over by The Hayward Gallery for the enormously successful ‘Infinite Mix’ exhibition. Now...


Impressionists in London
Claude Monet, Leicester Square, 1901. Oil paint on canvas, 805 x 648 mm. Fondation Jean et Suzanne Planque (in deposit at Musée Granet,...

Rachel Whiteread at Tate Britain: Space Made Visible
Everything about the Rachel Whiteread exhibition at Tate Britain forces us to continually shift the way we look, even when we might be...


Reflections: Van Eyck and the Pre-Raphaelites
We all have a pretty good idea of what the Arnolfini Portrait looks like, and perhaps its currency within the popular imagination is...