A Vanishing Venetian Art Form: Marcantonio Brandolini d’Adda and Murano Glass Fragments by Kirk P-T
by Kirk Patrick Testa | 01 July 2022 Marcantonio Brandolini d'Adda, UNKNOWN N. 67, 2022, Murano glass, detail (Image Courtesy PATERSON...
Lost and Found: Surrealism and the Roots of Change by Mary Phan
10 July 2022 Illustration by Sasha Dunn Often associated with the machismo bravado and drama of the likes of Salvador Dalí or Man Ray,...
Redressing the Balance: Gender at the 59th Venice Biennale by Rachel McHale
13 July 2022 Illustration by Finlay Thompson For the first time in the 127-year-history of the institution, this year’s Venice Biennale...
Sarah Bahbah: An Artist Of and For Our Generation
by Madeline DeFillipis | 15 October 2021 The millennial condition is often described as one which encompasses the universal through the...
Urban Exoticism: Aux abattoirs de la Villete to Athens wet market
by Alia Tsagkari | 8 February 2022 Eli Lotar, Aux abattoirs de la Villette, 1929. Photo ©Centre Pompidou, MNAM-CCI, Dist. RMN-Grand...
Fly in League with the Night: Lynette Yiadom-Boakye
by Madeline DeFilippis | 19 December 2020 Lynette Yiadom-Boakye’s first major survey exhibition awaits behind closed doors – before we...
Mixing It Up: Painting Today
by Maya Fletcher-Smith | 10 September 2021 An ambitious, exciting, yet somewhat perplexing survey of contemporary British painting at the...
Toyin Ojih Odutola: A Countervailing Theory. A World of Fantasy and Reimagined Power
by Jamie Kodera | 30 December 2020 Installation view, Toyin Ojih Odutola, A Countervailing Theory, Barbican, London, 10 Aug 2020 - 24 Jan...
Storytelling
by Madeline DeFilippis | 10 January 2021 I believe that the history of art is a form of storytelling. This is what initially intrigued...
Philip Roth and Self-Reflexivity
‘Self-Reflexivity’ – “A literary work that is marked by or makes reference to its own artificiality and process of artful composition” by...