

Lygia Clark, the Brazilian Museum, and a Willing Hand: A Response to Lygia Clark: The I and the You at Whitechapel Gallery
Written by Maria Cicala Lygia Clark is a household name in modern Brazilian art. To most, the artist conjures up slightly dusty black and...


The Not So Lonely City
In the country I grew up in, mountains were just there. They were not something I sought out or felt nostalgic for; they were a constant


Conclave, the Film Festival, and the Netflix Ugly Filter
Conclave, though presented with such flair and esteem, looks like something made for streaming.


Navigating Copyright Amidst the Paradox of A.I. Authorship
By Nicola Dawson In recent years, Artificial Intelligence has become increasingly prevalent across all sectors and the popularity of...


Eyeball it.
By SOFIA GENCO-BILLINGTON The bartender leaves my drink on the bar for so long its melted when I get it. I thought the ice lolly thing...


Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...


Doctor Who? Design Genius
By Fran Osborne One of my earliest television memories — like many British children — is of a whirring blue box flashing erratically...


Reflections on Poetry, Painting, and Temporality through Rossetti’s Ekphrastic Sonnets
By Millie Grainger Jean-Auguste-Dominique Ingres. Ruggerio Delivering Angelica. 1819. Photo: National Gallery For Ruggerio Delivering...


Missed Connections - ‘Retreat’ by Pak Kyongni
By Michelle Hui Rene Magritte, The Lovers II, 1928. Oil on Canvas, 54 x 73.4 cm. Photograph taken from https://www.moma.org/collection/wo...


Retrieving the Girl of ‘58 - A Girl’s Story by Annie Ernaux
By Mariam Pari “The memory of what I have written is already fading. I do not know what this piece of writing is. Even the thing I was...


