
Storytelling
by Madeline DeFilippis | 10 January 2021 I believe that the history of art is a form of storytelling. This is what initially intrigued...

Philip Roth and Self-Reflexivity
‘Self-Reflexivity’ – “A literary work that is marked by or makes reference to its own artificiality and process of artful composition” by...

Netflix's Bridgerton: The Significance of the Insignificance of Race
by Emma Pearce | 12 January 2021 Content warning: discussion of rape and racial violence Spending Christmas alone this year, Netflix’s...

A Solitary Journey through the Russian Arctic
Evgenia Arbugaeva: Hyperborea - Stories from the Russian Arctic at The Photographers’ Gallery Curated by Grace Gabriele-Tighe (9 October...

Violated Intimacy: An Interview with Silvia Semenzin, Italian Sociologist and Activist
by Agnese Oliveri | 26 January 2021 I sometimes find it incredible that, to this day, I still get into fights with people who believe...

A Colossus of Abstraction: Online Exhibition Review of Sophie Taeuber-Arp at Hauser & Wirth
by Jonathan Hart | 26 January 2021 A new online retrospective of Sophie Taeuber-Arp’s astonishingly accomplished and varied oeuvre at...

In Black and White: Race and Photography
‘We should be counted and certainly counted on to write our own history and validate our own existence’. - Zanele Muholi by Madeline...

Shantell Martin: NEW/NOW
by Madeline DeFilippis | 27 February 2021 The New Britain Museum of American Art in New Britain, Connecticut, seems like a strange place...

Alice: Curiouser and Curiouser
by Sarah MacKay | 23 November 2021 Exhibition shot of Alice: Curiouser and Curiouser © Victoria and Albert Museum, London A real-world...

Sarah Sze at Victoria Miro Gallery
by Rachel McHale | 27 October 2021 Known for challenging static sculpture and emphasising transformation, the contemporary artist Sarah...