Weird Sensation Feels Good: The World of ASMR
by Mihaela Man | 24 June 2022 Image Courtesy of Ed Reeve ‘And the dense glittered sound of much carbonation goes out over the beach’s...
Art Market Paragone by Matthew Biedermann
26 Oct 22 In the Italian Renaissance, humanist writers, armed with a revised interest in Greek and Roman antiquity, became obsessed...
On Social Media and Art by Aubrey Prestwich
31 Oct 2022 We live in an age inextricably linked to the internet and, by extension, social media. Social networks run by Meta, Twitter,...
What Does it Mean to be an Author?
Sarah Rodriguez | 25 Nov 2022 Picabia, Francis. 1929. Self-Portrait. Gouache, pen and black ink, and black crayon on cream wove paper, 63...
Naked Words to redress the book by Laura Allsopp-Huddle
23 November 2022 Clicking typing- heavy sighs. Browsing scrolling silent cries I wonder how far you've wandered, how many steps your...
Abject Beauty & the Sullied Sacred: On Bed by Robert Rauschenberg
Sarah Rodriguez | 20 February 2023 “Modern man can't see God because he doesn't look low enough.” ~Carl Jung “The imperfect is our...
Feminine Power: The Divine to the Demonic
by Bella Bloss | 27 July 2022 Kiki Smith, Lilith, 1954, Bronze, (81.3 x 68.6 x 44.5 cm), Image Source: British Museum The British...
La paz es una promesa corrosiva: Herbert Rodríguez at the 59th Venice Biennale
By Hunter Garrison | 27 Oct 2022 Perú, silkscreen on paper, 1990. After a brief postponement due to COVID-19, the art world has once...
Ardor by Sarah Rodriguez
22 October 2022 Peter Sacks, Without Title, 2020. Photograph taken from https://www.artsy.net/artwork/peter-sacks-without-title. “It’s...
Everything Speaks: A Review of Orhan Pamuk's My Name Is Red
By Abigail Spencer | 01 November 2022 Orhan Pamuk’s 2006 Nobel Prize in Literature-winning novel, My Name is Red, sets it scene on the...