The Disappearance of My Mother
by Agnese Oliveri | 4 January 2021 Directed by Beniamino Barrese, Documentary, 1h 34m. Benedetta wishes to leave Milan for a new haven,...
Carlo Crivelli
by Sophie Buckman | 23 January 2022 In 1936, Raimond Van Marle dismissed the work of quattrocento painter Carlo Crivelli as ‘quaint,...
The history of the Christmas card — Is it more than just a commercialised piece of paper?
by Esme Kroese | 14 December 2021 As a child I grew up with Christmas cards, whether at school where I wrote them for my teachers and...
The Attitudes of Lady Hamilton
by Sophie Buckman | 1 November 2021 Recalling Lady Emma Hamilton’s ‘Attitudes’, a series of tableaux vivants performed in Naples in the...
Carla Lonzi and The Gift of Resonance
by Agnese Oliveri | 6 May 2021 I would say that ever since I started studying art history at university, I have experienced a series of...
Encountering Anthony Christian
by Sarah Rodriguez | 25 March 2023 According to Anthony Christian, Art with a capital A is dead, or—at the least—about to die. And still,...
Eugène Leroy and Hao Liang: Catching a Catfish with a Gourd
by Matthew Biedermann | 6 March 2023 Figure 1: Josetsu, Catching a Catfish with a Gourd, ink and colour on paper (Kyoto: Taizo-in Temple,...
The Curious Case of Louis Royer’s Rembrandt Monument
by Sara Blad | 31 March 2021 Louis Royer’s Rembrandt Monument. Photo: Author’s own. I was thinking something wasn’t quite right as I...
The Role of Arts in the Ongoing HS2 Protests
HS2, the transport industries biggest project yet. How is the promise of integrating the arts concealing a deeper threat, and how are...
It’s Black Country out there
On Black Country, New Road’s blend of Post-Rock, Free Jazz, Klezmer and Art-Pop by Harry Carlson | 06 December 2020 (Left to right)...