Fable
by Angelica Jopling | 6 December 2020 Why do birds choose to Fly When they have nowhere to Go? I asked the red-headed boy Who lit me on...
An Unexpected Journey: Tavares Strachan’s In Plain Sight
Exhibition Review by Kaler Wong | 03 December 2020 “Every Knee Shall Bow” (2020), a painting featuring Queen Elizabeth and, on the cover...
Sicily, Art and Love
Antonio Presti's sculptures by Agnese Oliveri | 25 November 2020 La Materia Poteva non Esserci (Matter Could not Be), Pietro Consagra,...
I thought of you as Notre-Dame burned
by Angelica Jopling | 24 November 2020 I thought of you as Notre-Dame burned. I thought of how I peeled off my sticky leather gloves to...
The Future of Patronage
How to move forward when the money runs out by Madeline DeFilippis | 23 November 2020 Karsten Moran for the New York Times The United...
Head of a [___] Man
How the British Museum continues to center whiteness when describing prints of Black and white men. by Sara Blad | 21 November 2020...
Lockdown in the Mouth
As we find ourselves in the midst of a second national shut-in, spare a thought for those for whom the winter months would be a challenge...
Paul Nash: An Unlikely Mouthpiece for a Nation Destroyed
'I am no longer an artist…I am a messenger…to those who want the war to go on for ever. Feeble, inarticulate, will be my message, but it...
Bruce Nauman Retrospective at Tate Modern (7 Oct 2020 – 21 Feb 2021)
Tension throughout by Harry Carlson | 19 November 2020 Bruce Nauman Falls, Pratfalls and Sleights of Hand (Clean Version) 1993...
Three Biographies to Enjoy in Quarantine
The lives of Susan Sontag, Bernard Buffet and Claude Lanzmann Aniela Rybak | 15 June 2020 During the first three weeks of Warsaw’s...