by Sarah Rodriguez | 25 March 2023 According to Anthony Christian, Art with a capital A is dead, or—at the least—about to die. And still,...

by Matthew Biedermann | 6 March 2023 Figure 1: Josetsu, Catching a Catfish with a Gourd, ink and colour on paper (Kyoto: Taizo-in Temple,...

by Sara Blad | 31 March 2021 Louis Royer’s Rembrandt Monument. Photo: Author’s own. I was thinking something wasn’t quite right as I...

HS2, the transport industries biggest project yet. How is the promise of integrating the arts concealing a deeper threat, and how are...

On Black Country, New Road’s blend of Post-Rock, Free Jazz, Klezmer and Art-Pop by Harry Carlson | 06 December 2020 (Left to right)...

by Angelica Jopling | 6 December 2020 Why do birds choose to Fly When they have nowhere to Go? I asked the red-headed boy Who lit me on...

Exhibition Review by Kaler Wong | 03 December 2020 “Every Knee Shall Bow” (2020), a painting featuring Queen Elizabeth and, on the cover...

Antonio Presti's sculptures by Agnese Oliveri | 25 November 2020 La Materia Poteva non Esserci (Matter Could not Be), Pietro Consagra,...

by Angelica Jopling | 24 November 2020 I thought of you as Notre-Dame burned. I thought of how I peeled off my sticky leather gloves to...

How to move forward when the money runs out by Madeline DeFilippis | 23 November 2020 Karsten Moran for the New York Times The United...