Photography in Isolation
Collaborating and Communicating through Images by Ellen Wang | 18th August 2020 During the isolation period of the COVID-19 pandemic, a...
Interview: Cotton Reels, Lost Gloves and Unquiet Moments
Getting to know the 2020 MA Curating Team by Izzy White & Ellie Perry 10th August 2020 After a resounding opening week that saw them...
Create dangerously?
Can we take Camus' advice seriously? Aniela Rybak | 7th August 2020 Cover of Create Dangerously by Albert Camus (Cover Penguin Modern) On...
'Untitled'
Artwork of the Month | August Liza Miseikyte I really aim to astonish myself when it comes to my works. I have never been a planner,...
A Post-Covid Interview with Caz Egelie
Reflecting on COVID-19, artistic practices, and new initiatives Sophia Boosalis | 31st July 2020 I caught up with the Dutch artist Caz...
Nonument Monument
Artwork of the Month | July Lucy Dabbs Too many hours watching Contagion, later, I felt like the only human left alive. ​ I...
Fondazione Prada, Milan: Liu Ye's Storytelling
Transcending spaces through children's stories by Sara Quattrocchi Febles 1st July 2020 This review was written in late March when...
Thriving in our Outrage: A Look at Harris Reed’s Graduate Collection
Illustration by Vitoria Mendes Harris Reed may have only just finished their final year at Central Saint Martins, but the young designer...
Pride Online 2020
Celebrate Pride from home! by Cas Bradbeer 22nd June 2020 QHF Pride Poster by Queer Heritage Forum (Courtesy of @QHForum) The Courtauld...
Poussin’s Plague at Ashdod
Or the suspended theatre of life by Reine Okuliar | 9 June 2020 Nicolas Poussin, The Plague at Ashdod, 1630, oil on canvas, 148 cm × 198...