William Blake 1757-1827: Reflections on artworks outside their context
William Blake is an artist that does not have to be introduced to anyone even remotely aware of ‘the classic’ figures of British culture....
The Water Drinkers: Celebrating creativity through the works of Fischetti, Rüdham & Kay-Barry
Set in a townhouse right in the conglomerate of tourists that is Covent Garden, artists Crystal Fischetti, Harry Rüdham & Lee Kay-Barry...
Allora and Calzadilla: Tate Modern gets political in activating "Balance of Power" by Puer
Acquired by the Tate in 2009, Balance of Power (2007) has been recently ‘activated’ at Tate Modern in London. The performance piece...
The Royal Opera House's Manon: The Show Must Go On...
Desire, doomed love and a dodgy knee unfolded on Wednesday night at the Royal Opera House. The ballet in question was Kenneth MacMillan’s...
Dressing with Dissent
The month of October has been one of protest. Dissatisfied with the English government’s response to climate change, swathes of people...
Max Porter's 'Lanny': ‘In Came the Sound of a Song, Warm on his Creaturely Breath….’
Not far from London, in an unnamed sleepy English village, Max Porter invites us to step into his dark green folk tale about a boy and an...
Playing Host to Istanbul's 16th Biennial: A Highlight from the Pera Museum
The seemingly unexpected trajectory of storytelling—an amalgamation of time, space, and events—poignantly unveils itself through the 2005...
Christoforos Savva in Venice: An Interview with Andre Zivanari
This article was previously published in the special edition, VENICE (July 2019). For the 58th Venice Biennale, Cyprus is being...
Venice: Eat, Pray, Love (But Mainly Eat)
This article was previously published in the special edition, VENICE (July 2019). “I wish Giovanni would kiss me,” is the first line of...
Why I Can't Stop Thinking About 'Barca Nostra'
This article was previously published in the special edition, VENICE (July 2019). I was, admittedly, a little nervous to write this piece...