Conclave, the Film Festival, and the Netflix Ugly Filter
Conclave, though presented with such flair and esteem, looks like something made for streaming.
Navigating Copyright Amidst the Paradox of A.I. Authorship
By Nicola Dawson In recent years, Artificial Intelligence has become increasingly prevalent across all sectors and the popularity of...
Eyeball it.
By SOFIA GENCO-BILLINGTON The bartender leaves my drink on the bar for so long its melted when I get it. I thought the ice lolly thing...
Time is Always Now: through the vision of African diaspora
By Yoyo Hou "Each of us is a cacophony of experience. Not just a seamless self." (1) -- Nathaniel Mary Quinn What does Black Art mean to...
Doctor Who? Design Genius
By Fran Osborne One of my earliest television memories — like many British children — is of a whirring blue box flashing erratically...
Reflections on Poetry, Painting, and Temporality through Rossetti’s Ekphrastic Sonnets
By Millie Grainger Jean-Auguste-Dominique Ingres. Ruggerio Delivering Angelica. 1819. Photo: National Gallery For Ruggerio Delivering...
Missed Connections - ‘Retreat’ by Pak Kyongni
By Michelle Hui Rene Magritte, The Lovers II, 1928. Oil on Canvas, 54 x 73.4 cm. Photograph taken from https://www.moma.org/collection/wo...
Retrieving the Girl of ‘58 - A Girl’s Story by Annie Ernaux
By Mariam Pari “The memory of what I have written is already fading. I do not know what this piece of writing is. Even the thing I was...
Moon Phases: A Giant Leap for Art, or a Small Step Towards the Colonisation of Space?
By Millie Grainger Jeff Koons. Photograph of Moon Phases. https://jeffkoonsmoonphases.com/. ‘We’ve landed!’ Jeff Koons announced to X in...
W 4th St—Wash Sq
By Carys Maloney Into the clouds over Central Park Stretch skyscrapers, fantastic and utopian. Coffee over ice stains the brains Of dog...