

Allora and Calzadilla: Tate Modern gets political in activating "Balance of Power" by Puer
Acquired by the Tate in 2009, Balance of Power (2007) has been recently ‘activated’ at Tate Modern in London. The performance piece...


The Royal Opera House's Manon: The Show Must Go On...
Desire, doomed love and a dodgy knee unfolded on Wednesday night at the Royal Opera House. The ballet in question was Kenneth MacMillan’s...


Dressing with Dissent
The month of October has been one of protest. Dissatisfied with the English government’s response to climate change, swathes of people...


Max Porter's 'Lanny': ‘In Came the Sound of a Song, Warm on his Creaturely Breath….’
Not far from London, in an unnamed sleepy English village, Max Porter invites us to step into his dark green folk tale about a boy and an...


Playing Host to Istanbul's 16th Biennial: A Highlight from the Pera Museum
The seemingly unexpected trajectory of storytelling—an amalgamation of time, space, and events—poignantly unveils itself through the 2005...


Christoforos Savva in Venice: An Interview with Andre Zivanari
This article was previously published in the special edition, VENICE (July 2019). For the 58th Venice Biennale, Cyprus is being...


Venice: Eat, Pray, Love (But Mainly Eat)
This article was previously published in the special edition, VENICE (July 2019). “I wish Giovanni would kiss me,” is the first line of...


Why I Can't Stop Thinking About 'Barca Nostra'
This article was previously published in the special edition, VENICE (July 2019). I was, admittedly, a little nervous to write this piece...


A Ten-Year Long Reflection on La Serenissima
This article was previously published in the special edition, VENICE (July 2019). Let’s be honest, I barely remember that trip to Venice...


The Music of the Lagoon
This article was previously published in the special edition, VENICE (July 2019). "In every home, someone is playing a musical instrument...