Christopher Marlowe’s ‘Edward II’ and Tom Stuart’s ‘After Edward’ at the Sam Wanamaker Playhouse, Th
Tom Stuart and Beru Tessema in ‘Edward II’ at the Sam Wanamaker Playhouse (Photo: Marc Brenner) I would not usually be compelled to write...
Vote, Vote, and Vote Again: Brexit Deadlock
The one time I take a week off from bringing you a window into the world of news and all hell breaks loose. Since I last wrote, March...
The Boss: Non-Conformity Through the Eyes of Eileen Gray
Non-Conformist, Eileen Gray, 1926 (Image: eileengray.co.uk) One of my least favourite questions, right after “what are your plans after...
'Mary Queen of Scots': Women in Tudor Britain
As I am currently on the Constructing Empires Constellation Course, I was particularly excited to see two historical movies, Mary Queen...
Colouring the Past: Homer, Soane & Klein
Yves Klein, Blue Venus works on display at Blenheim Palace, 2018 (Photo: Vogue) Colour is a concerningly abstract and amorphous concept...
Sticker Shtick
All of my visits to Tate Modern have been a hit or miss. There’s a very inorganic feel to it as an institution. Maybe it’s the multitude...
'Into the Mind of the Coloniser': In Conversation with Adelaide Damoah
On Thursday 28 March, British-Ghanaian artist Adelaide Damoah will present ‘Into the Mind of the Coloniser’, in the Virginia Woolf Room...
Sacking Sackler & May’s Civil War
BUMPER END-OF-TERM EDITION Illustration by Rhiannon Powell This week I begin with a story that has been bubbling away for some time now,...
Division, Derision, Diversions, & Delay
As promised, last week was a big one for Brexit. In my last column, I outlined what was planned, in this one I’ll recount what actually...
The Unifying Power of Jewellery
With the ongoing Brexit debate over whether to stay or leave - a metaphor for divorce reoccurring in newspaper headlines; the unifying...