Exhibition Review: Vanessa Bell
Vanessa Bell 1879–1961, Design for Omega Workshops Fabric, 1913, Watercolor, gouache, and graphite on paper, Image: 53.3 × 40.7 cm, Yale...
Watching the Father: the Hidden Secrets of an International Family
Illustration by Ellen Charlesworth To pip One of the reasons of my moving to the UK five years ago was to explore the British side of my...
For Those Who Don't Believe in Bisexuality
Every day bisexual people face resistance towards the notion of their own sexual orientation. Not only do they struggle with homophobia...
Note from the Editorial Team
On the 5th March The Courtauldian published online the article ‘Artists’ Lives: Speaking of the Kasmin Gallery’. The accompanying...
Interview: Karina Akopyan
Karina Akopyan with her work Big Samovar Orgy at the exhibition opening - photo credit: Bojidar Chkorev Russian artist Karina Akopyan had...
'The Female Gaze'
Painting by Elly Stephenson If the ‘male gaze’ is a term used to describe the relationship between male viewer and a female object,...
Art in Fiction: Autumn by Ali Smith and The Muse by Jessie Burton
When fiction attempts to incorporate art and artists, it can often end badly. Descriptions of the act of creating can read like bad...
Giselle, or the perfect dream
Illustration by Anna Seibæk Torp-Pedersen The current Giselle at the London Coliseum is a revival of Mary Skeaping’s traditional...
Woody Allen: where are we at?
Illustration by Emily Knapp When I was asked to write an article about Woody Allen for the paper following my showing of the maestro’s...
teamLab: The 'ultra-technologists' of Tokyo
Black room. Swirling patterns descend from overhead, surrounding, enveloping. Birds of light perch on branches. Suddenly they take off. I...