A Visit to St Bartholomew the Great
By Freddie Bond Whilst walking to my seminar at the Barbican gallery the other week, with spare time and looking for a break from the...
The City of Concrete Sets the Stage for a Greener Future
A Review of Re/Sisters: A Lens on Gender and Ecology By Minna Church Barbara Kruger, Untitled (we won’t play nature to your culture),...
Seen and not Heard: The Construction of Childhood in the Psychological Thriller
By Eve Reid [Trigger Warning: discussions of suicide and violence against children and adults.] Scandinavian and Western European...
Now I Understand Why the Pen Is Mightier Than the Sword, Why Words Are Named as Weapons.
By Carys Maloney Gustave Doré (1832-1883), Arachne (c 1867), engraving for Dante’s Purgatory Now I understand why the pen is mightier...
La Bourse de Commerce: The Museum that is Taking Paris by Storm
By Mathilda Drukier The Bourse de Commerce, which recently took over Paris in May 2021, is François Pinault’s third museum (Palazzo...
Navigating Brixton’s Muralscape on a Sunny November Afternoon
By Katie Gillespie Navigating Brixton’s Muralscape on a Sunny November Afternoon It’s golden hour outside Stockwell Underground Station....
Sister Mary Agatha has gone missing.
By Sofia Genco-Billington Sister Mary Agatha has gone missing. When the police arrive leaning against their cars, killing the mosquitos,...
From Nothing to Art and Thinking
By Gabrielle Kezia The chorus of my everyday has largely been going to my lectures and seminars, and the library to do my readings. Work...
'We Work Until We Vanish' - the Philip Guston Exhibition at Tate Modern
By Yoyo Hou ‘Probably the only thing one can really learn, the only technique to learn, is the capacity to be able to change.’ -Philip...
Gwen John: Art and Life in London and Paris Exhibition Review
Gwen John: Art and Life in London and Paris Exhibition Review In the same decade that Rodin produced The Thinker (1904) and Matisse The...