Not Yours! WHAT? A report on Frieze and the Contemporary Art Auctions
The Gagosian Gallery kicked off the week on Saturday October 10th at its new white box in sleepy Grosvenor Hill, inaugurated with a...
Why Formalism is a Valid Art Historical Methodology
Before I start this article, I must confess a personal bias; I am a Formalist by nature and see it as the most valid art historical...
Holler at me, bro. Carsten Holler - Decision
Although by the time this goes to press, the exhibition will have run its course, and this article thus embarrassingly late to the...
Make feminist art history chic again
Illustration by Josephine Glover The Courtauld’s feminist art historian, Mignon Nixon, is leaving to join the feminist powerhouse created...
Introducing: East Wing Biennial
Since its inception in 1991, the East Wing Biennial has exhibited works of contemporary artists at one of the most prestigious centres of...
Introducing: TEDxCOURTAULD 2016
For the first time, the new TEDxCourtauld 2016 team is excited to announce this year’s theme: ‘Breaking The Rules - In Search of Utopia’!...
A Review of ‘A Heritage of Images’ by Fritz Saxl
When one thinks of the books section of a paper, the literature you imagine to be discussed is probably fiction. However we all attend an...
HOGARTH KNOWS
Illustration by Tennessee Williams Urban Dictionary infamously defines a Courtauldian as: 'One who attends the Courtauld Insitute of Art,...
The Destruction of Palmyra – the Pagan Temple of Baal Shamin
Illustration by Lottie Handley As the mushroom cloud rises once again, in the middle, at its feet stand four columns – all that remain of...
Tans or Tights? A Feminist Critique
Illustration by Tennessee Williams OPINION PIECE: 'When is it socially acceptable to wear black tights?' On Monday 19th October 2015 Jess...