

Anna Schaffer: The Petite Powerhouse behind the Label Bibi Bachtadze
Better known by her nickname Bibi, Anna Schaffer helms the label Bibi Bachtadze which focuses on small, beautiful collections and private...
Review: Takuya Matsumoto - Places of Colour EP
Ratings for this man just keep rising. Transported to a world of suspended beings, all cares are washed away with A1 - 'Souvenir'. The...
Review: Florist - Phenomena EP
The latest EP to come out of ‘All Caps Records’ from Glasgow’s School of Art is delivered by the mysterious Florist. It exists as an...
Is Jeremy Corbyn electable?
In the wake of his landslide victory, many people on both wings of British politics have called into question Jeremy Corbyn's...
No Colour Bar: Black British Art in Action 1960-1990
One morning in 1977, Eric Huntley was opening the Walter Rodney Bookshop for the day, which he owned with his wife, Jessica, in Ealing....
Review of 'Goya: The Portraits,' at the National Gallery
I first came to love the work of Francisco de Goya (1746-1828) when I stumbled across Los Caprichos (1799) at the age of 16. This gave me...
‘Frank Auerbach’, Tate Britain, London
A collaborative curation between the artist, Frank Auerbach, and his sitter, Catherine Lampert, at the Tate Britain, allows for a...
Not Yours! WHAT? A report on Frieze and the Contemporary Art Auctions
The Gagosian Gallery kicked off the week on Saturday October 10th at its new white box in sleepy Grosvenor Hill, inaugurated with a...
Why Formalism is a Valid Art Historical Methodology
Before I start this article, I must confess a personal bias; I am a Formalist by nature and see it as the most valid art historical...
Holler at me, bro. Carsten Holler - Decision
Although by the time this goes to press, the exhibition will have run its course, and this article thus embarrassingly late to the...