Inside the Video, Into the Screen: Horror and the Internet Wormhole
By Eve Reid The nomenclature ‘video nasty,’ once reserved for violent and explicit films, struggles to find definition in the digital...
The Fitzroy Tavern; or, the Birth of a British Bohemia
By Benjamin Baker ‘Only beware of Fitzrovia … it is a dangerous place, you must be careful.’ ‘Fights with knives?’ ‘No, a worse danger....
Adolf Wölfli, William Blake and Folk Art: A Brief Meditation on Human Creativity.
By Carys Maloney Adolf Wölfli was an outsider artist—or folk artist—who inarguably suffered a childhood of significant hardship. As...
My First Experience of Volunteering at Somerset House and the Story of an Architectural Casualty
By Freddie Bond I had my first Courtauld volunteering shift last week. The wealth of images and information in the collections stored...
Marina Abramović - The Artist Does Not Need To Be Present
By Mathilda Drukier Marina Abramović, The Kitchen I: Levitation of Saint Theresa,I 2009. Video installation detail from Galleria Lia...
Risk Appetite .
by SOFIA GENCO-BILLINGTON OCT 17th, 2023 Bob Mazzer, Underground, 2014. It would not be farfetched to say that it is generally considered...
Chew on this: The campaign to save miniature masterpieces on the Millennium Bridge
By Kathryn Gillespie I’ve walked over the Millennium Bridge plenty of times. Connecting two of London’s iconic landmarks–St. Paul’s...
In Search of... Something
By Gabrielle Kezia Daniele Castellano, The Big Fire, 2018. Pastel and coloured pencil, 14.5 x 19 cm. Source: https://cargocollective.com/...
Tyrannical Tories, Transphobia, and Some Art
By Lucas Ind Alright, babes? I don’t know about you lot, but I have had a week of existential dread – with wars, bed bug outbreaks,...
China's Hidden Century
By Qiwei (Yoyo) Hou The special exhibition China’s Hidden Century at the British Museum has been a hot topic within my group of friends...