Horoscope predictions - October 2023
By Alexis Nanavaty and ‘The Guides’ When used as a visual language, astrology can afford power to its patron. Augustus, the Roman emperor...
Hungry for Revenge? Approaching the Aesthetics of Fatness in Cinema
By Eve Reid Still from Piggy, 2022, directed by Carlota Pereda. “Do you ever get the feeling that people are incapable of not caring?”...
The Inseparability of Art and Life: A Review of "Titian: Nymph and Shepard"
by Mariam Pari ‘Titian worked like Shakespeare...like magicians, they knew where the human spirit loves to drown itself’ Titian: Nymph...
‘Goodbye Blue Monday’: the curious history of the best-selling 12-inch vinyl of all time.
By Millie Granger Maintaining a successful band after the death of the lead singer is no easy feat, yet following the tragic suicide of...
Sartorial Sentimentswith Henry Kauntze
Like it or not, appearances matter. As indifferent current-day interviewers may wish to seem, or first date candidates, judgments are...
L’Art Magique: Boundaries and Beyond with Beatrice Stankeviciute
In what ways is art ‘magic’ you may ask. Well, let me put a spell on you! Be ready to be enchanted and transported somewhere beyond –...
SUPERFICIAL with LEAH METELITS
Like it or not, appearances matter. As indifferent current-day interviewers may wish to seem, or first date candidates, judgments are...
Sámi Voicing Sámi by Lynn Ha
09 May 2022 This article exploring the decolonial aims of the Venice Biennale Sámi Pavilion by Courtauldian columnist Lynn Ha accompanies...
Sonia Boyce: Wallpapering the British Pavilion by Madeleine Jordan
13 May 2022 This article accompanies an interview on the Courtauld's Bloomberg Connects app profile with Courtauld Alumna and British...
A Passage into the Occult at the Guggenheim Collection by Caroline Benedict
24 May 2022 On the occasion of the 2022 Venice Biennale, the Peggy Guggenheim Collection explores the theme of the occult in Surrealism....