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Frances Morris
This article was previously published in the special edition, ALUMNAE (December 2018). MA 1983 Tate Modern is definitively one of the...
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Pamela Tudor-Craig
This article was previously published in the special edition, ALUMNAE (December 2018). 1928 - 2017 BA 1949, PhD 1952 When thinking about...
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Cindy Sherman on the Veneer of Fashion
A film star, a clown, a middle-aged socialite. These are some of the many faces of distinguished photographer Cindy Sherman on display at...
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Open Space 2019: In Conversation with Huma Kabackı
This article was previously published in Issue 20, ISLANDS (March 2019). Pluto's Kitchen by Işıl Eğrikavuk, Co-commissioned by Block...
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Is Cocoa Colonialist? A Brief History and Attempt at Criticism
This article was previously published in Issue 20, ISLANDS (March 2019). Islands have occupied much of my research interests since taking...
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Smirna Kulenović: In the Absence, The Artist is Present
This article was previously published in Issue 19, ABSENCE (December 2018). Bosnian artist Smirna Kulenović was born in Sarajevo in 1994...
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Clara Peeters on Her Own Terms
This article was previously published in Issue 19, ABSENCE (December 2018). ‘Absence’ is not the first word one thinks of upon seeing a...
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The Project
This article was previously published in Issue 19, ABSENCE (December 2018). On the 27th May at about 8pm, I stood trembling before my...
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Jenna Burchell: Musing on Memory and Mending
This article was previously published in Issue 19, ABSENCE (December 2018). One of South Africa’s earliest new media artists, Jenna...
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The Intrigue of Absence: The Subjectless Subject in Giulio Campagnola’s ‘Reclining Woman’
This article was previously published in Issue 19, ABSENCE (December 2018). Few things are more frustrating than the unidentifiable...