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'The Female Gaze'
Painting by Elly Stephenson If the ‘male gaze’ is a term used to describe the relationship between male viewer and a female object,...
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teamLab: The 'ultra-technologists' of Tokyo
Black room. Swirling patterns descend from overhead, surrounding, enveloping. Birds of light perch on branches. Suddenly they take off. I...
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Spaces of Hope - Mehdi Ghadyanloo
City of Hope, Mehdi Ghayanloo (Image courtesy of the Howard Griffin Gallery) Having just finished a solo show with the Howard Griffin...
Artists’ Lives: Speaking of the Kasmin Gallery
One school of thought is that galleries should let the art do the talking. Aside from the often bland voice of the institution, nothing...
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Review: Australia's Impressionists
Arthur Streeton, ’Ariadne’, 1895, National Gallery of Australia, Canberra. Raise your hand if you knew there was an Australian...
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Is the art gallery the last non-judgmental public place?
We live in a world in which we judge and discourage one another to act ‘differently’. This human habit is complex and broad, so I won't...
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Abstract Expressionism
Jackson Pollock, Mural, 1943. (Image Courtesy of The University of Iowa Museum of Art, Gift of Peggy Guggenheim. © The Pollock-Krasner...
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Paul Nash Review: Mysterious Places
Paul Nash, We Are Making a New World, 1918. Image Source: Imperial War Museum/Tate 'There are places, just as there are people and...
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John Berger: "Never again shall a single story be told as though it were the only one."
Image source: Franck Courtès/Agence Vu John Berger died on 2nd January 2017. Many obituaries begin with the most basic of facts, such as...
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Modern Art Oxford at 50
REVIEW: 'Kaleidoscope: The Vanished Reality', currently showing at Modern Art Oxford Louise Lawler, Still Life (candle) (traced), 2003 /...