The World Goes Pop
The Tate’s blockbuster The World Goes Pop has been met with largely positive reviews. It’s been often praised for the variety of works on...
Michael-Craig Martin: Transience
A sensationalist riot of colour, Michael-Craig Martin's inaugural solo exhibition at The Serpentine Gallery, Transience, is a profusion...
Gillray’s Ghost
Nestled next to the British Museum and free with an art fund card, this celebration of the bicentennial of James Gillray’s death is a gem...
No Colour Bar: Black British Art in Action 1960-1990
One morning in 1977, Eric Huntley was opening the Walter Rodney Bookshop for the day, which he owned with his wife, Jessica, in Ealing....
Review of 'Goya: The Portraits,' at the National Gallery
I first came to love the work of Francisco de Goya (1746-1828) when I stumbled across Los Caprichos (1799) at the age of 16. This gave me...
‘Frank Auerbach’, Tate Britain, London
A collaborative curation between the artist, Frank Auerbach, and his sitter, Catherine Lampert, at the Tate Britain, allows for a...
Not Yours! WHAT? A report on Frieze and the Contemporary Art Auctions
The Gagosian Gallery kicked off the week on Saturday October 10th at its new white box in sleepy Grosvenor Hill, inaugurated with a...
Why Formalism is a Valid Art Historical Methodology
Before I start this article, I must confess a personal bias; I am a Formalist by nature and see it as the most valid art historical...
Holler at me, bro. Carsten Holler - Decision
Although by the time this goes to press, the exhibition will have run its course, and this article thus embarrassingly late to the...