top of page

Screen Shot 2021-11-01 at 6.28.42 PM.png

Millican Dalton: A Sublime Midlife Crisis

The relevance of a 20th century cave-dweller to environmental aesthetics.

Wednesday, 23 December 2020

borrowdale pic 1.jpg

At the mouth of the cave at Borrowdale, May 2020. Photograph: Lewis Eaton.

On a swelteringly hot day in the North Western Fells of The Lake District, the gaping mouth of a cave offered itself as a refuge and swallowed us mercifully into its cool damp interior. Caves are otherworldly places. This particular cave, set into the hillside of Castle Crag, allows you to peer out at the gently swaying trees and glimmering daylight of the outside world from a viewing point void of light and sound. The daytrip itself had been to seek refuge in The Lakes; an attempt at replacing the stagnancy of a locked-down city summer with a more welcome, less claustrophobic, kind of tranquillity. We spent a few minutes scrambling around on the siltstone, marvelling at the height of the cave walls and exchanging the obligatory comments about feeling small in big spaces. On leaving, I noticed a large, flat stone covered in scrawlings. At the centre in neat, deeply-etched letters read ‘Don’t Waste Words, Jump to Conclusions’ with dozens of smaller sections of writing surrounding this. Each gave names and dates, with many faded with age and dissolving back into the stone’s surface. It was from a frantic Googling during the car ride home that I came to find out we had happened across a sort-of pilgrimage place for hikers: the cave in which a man had lived out his summers for over forty consecutive years.

In 1904, at the age of thirty-six, Millican Dalton gave up his life as an insurance clerk in London in order to dedicate himself to The Great Outdoors. Having spent part of his childhood in Nenthead, the North Pennines, he found life and work in the capital stifling in comparison. From then on Dalton split his year, spending the summer months in the cave under Castle Crag and winters in a canvas hut in Buckinghamshire. Far from your conventional hermit, Dalton was an active and sociable member of the community. He organised camping excursions for the outdoors novice which included teaching hiking, rock climbing, rafting and how to forage for food. What I found extraordinary for the time was that these excursions didn’t exclude women, with one of Dalton’s advertisements for a mountaineering course stating his views bluntly: “Ladies are welcome to the camp. There is nothing new in ladies camping, the custom being at least 10,000 years old.” This rare indiscriminate approach led to Dalton forging a long-lasting friendship with geologist Mabel Barker, who over the years consistently recommended Dalton’s courses to women students and friends.

Millican and Mabel.jpg

Dalton and Barker atop a needle, 1913. The Mable Barker Collection.

ARCHIVE

Take a look...

Find all our of old features and articles below...

The Water Drinkers: Celebrating creativity through the works of Fischetti, Rüdham & Kay-Barry

The Water Drinkers: Celebrating creativity through the works of Fischetti, Rüdham & Kay-Barry

Set in a townhouse right in the conglomerate of tourists that is Covent Garden, artists Crystal Fischetti, Harry Rüdham & Lee Kay-Barry...

Allora and Calzadilla: Tate Modern gets political in activating "Balance of Power" by Puer

Allora and Calzadilla: Tate Modern gets political in activating "Balance of Power" by Puer

Acquired by the Tate in 2009, Balance of Power (2007) has been recently ‘activated’ at Tate Modern in London. The performance piece...

Cindy Sherman on the Veneer of Fashion

Cindy Sherman on the Veneer of Fashion

A film star, a clown, a middle-aged socialite. These are some of the many faces of distinguished photographer Cindy Sherman on display at...

Don McCullin: Images of Brutality

Don McCullin: Images of Brutality

This article was previously published in Issue 20, ISLANDS (March 2019). The opening  statement  of the Don McCullin retrospective at...

'I am Ashurbanipal: King of the World, King of Assyria'

'I am Ashurbanipal: King of the World, King of Assyria'

This article was previously published in Issue 19, ABSENCE (December 2018). ‘I am Ashurbanipal, great king, mighty king, king of the...

Family Pictures: My Parents and ‘GENERATIONS’

Family Pictures: My Parents and ‘GENERATIONS’

GENERATIONS Installation View, Showing: Hurvin Anderson, Is It Okay to be Black? (Image: Carlotta Pierleoni) I think I should start this...

The “ubiquitous” interactive medium and the radically innovative art form: Videogames: Design/Play/D

The “ubiquitous” interactive medium and the radically innovative art form: Videogames: Design/Play/D

What comes to your mind when you think of videogames? If you are a so-called ‘hardcore gamer’ or a game enthusiast, games are...

2

bottom of page