Islands of Escapism
This article was previously published in Issue 20, ISLANDS (March 2019). Illustration by Grace MacKeith London, the city we live in, is...
Is Cocoa Colonialist? A Brief History and Attempt at Criticism
This article was previously published in Issue 20, ISLANDS (March 2019). Islands have occupied much of my research interests since taking...
What Does Your Soul Like? Photography and the City
This article was previously published in Issue 20, ISLANDS (March 2019). Mahayana Buddhism teaches of six realms of corporeal existence,...
Floating Roots
This article was previously published in Issue 20, ISLANDS (March 2019). A native-born islander’s relationship with their home can be...
Jewellery As Memento Mori
This article was previously published in Issue 19, ABSENCE (December 2018). On a recent visit to the Royal Academy’s exhibition,...
Finding Agnès Varda
This article was previously published in Issue 19, ABSENCE (December 2018). Still from The Gleaners and I, 2000, dir. Agnès Varda (Image:...
Clara Peeters on Her Own Terms
This article was previously published in Issue 19, ABSENCE (December 2018). ‘Absence’ is not the first word one thinks of upon seeing a...
The Project
This article was previously published in Issue 19, ABSENCE (December 2018). On the 27th May at about 8pm, I stood trembling before my...
The Intrigue of Absence: The Subjectless Subject in Giulio Campagnola’s ‘Reclining Woman’
This article was previously published in Issue 19, ABSENCE (December 2018). Few things are more frustrating than the unidentifiable...
Canaletto’s Eternal Venice
In Venice, there are only one or two paintings by Canaletto (1697-1768), nearly everything he produced is to be found in Britain, thanks...